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Showing posts with label puro. Show all posts
Showing posts with label puro. Show all posts

6 August 2014

G1 CLIMAX 24: Day 10

G1 CLIMAX 24: DAY TEN
City Gymnasium, Takamatsu
6th August 2014 

NJPW leaves Honshu for Shikoku, the smallest of the four major islands - and in particular, the city of Takamatsu, reachable by ferry from Kobe. On the boat ride over I daresay many of the workers will look to this blog for spirit and courage and to remind them of of who they're really trying to please here.

RRRRAAAAARRRRGGGHH!
Tonight's card has one marquee match based on their Meltzer-approved tear-up from last year as Katsuyori Shibata takes on Tomohiro Ishii. Their bout in Osaka was utterly heartstopping and is probably one of my favourite matches of all time. I'm not going to pressurise this rubber match (as you'll see later) as Ishii is reportedly hurt but it should be interesting at worst and bloodcurdling at best.

13 July 2014

THE 24TH G1 CLIMAX IN TEN POINTS

Ladies and gentleman and children and dogs be calm even though the greatest multi-day wrestling spectacle is nearly upon us for another year. Soon the world shall not require that 'multi-day' appendage to distinguish itself from Wrestlemania as all shall know of the magnificence of New Japan Pro Wrestling's annual chicken-scratch to discover which of their heavyweight stars will enter the tournament a fearful boy and emerge a broken-but-victorious man.

Actually deserving of lens flare and all those plug-ins

3 July 2014

fujiwara armbar investigates: Big Japan Pro-Wrestling (BJW)

An occasional series in which, in a bid to further my spotty knowledge of Japanese wrestling promotions, I watch a recent event and assess whether or not I'd watch regularly given the time, money and ability to access.

Promotion: Big Japan Pro-Wrestling (BJW)
Event watched: BJW 28/4/14 (TV)



What did I know about the promotion going in?: Not a great deal. I knew that BJW had a reputation for keen adherence to the seemingly-passe deathmatch style, the kind of beyond-hardcore matches that require a lot of weaponry and props such as barbed-wire, fluorescent light strips and thumb tacks and very little in the way of what somebody like Les Thatcher would call 'real wrestling'.

27 June 2014

fujiwara armbar investigates: Dramatic Dream Team (DDT)

An occasional series in which, in a bid to further my spotty knowledge of Japanese wrestling promotions, I watch a recent event and assess whether or not I'd watch regularly given the time, money and ability to access.

Promotion: DRAMATIC DREAM TEAM (DDT)
Event watched: DDT Max Bump 2014, 29th April 2014, Korakuen Hall, Tokyo



What did I know about the promotion going in?: I knew a little bit. I knew that Kota Ibushi was one of the main players alongside his tag-team partner Kenny Omega. I knew that it was considered a 'comedy' promotion, or at least one with a stronger element of comedy as part of its regular presentation. I was passingly familiar with YOSHIHIKO, a puppet/sex doll treated with absolute reverence that wrestles in multi-person tag team matches.

I also knew a little about the DDT Ironman Heavy Metal Title, defended 24/7, similar enough to the WWE Hardcore Championship, but has been won by inanimate objects such as rice (which was 'pinned' by the roux ladled over it), ladders and posters, as well as by a trio of elementary school girls. Read this. Even if you never bother with the promotion, this is funny.